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On the Oaxacan coast, a hotel with clay architecture and bar on the top floor
Once a boommium follicle between surfers and backpackers, the town of Oaxacan by Brisas de Zicatela (or “La Punta”, as locals call it), just south of Puerto Escondido, evolved into a buzzing tour Mezcal’s boisterous are now attracted to another young but decisively less anti -cultural crowd. Hotel Humano, the latest offering by Grupo Habita based in Mexico, embraces the vibrant atmosphere of the area and offers a refined respite from it. The 39 -room, three -level property opened at the end of December on a busy road that becomes a strip of party every night, but its impressive design creates an elegant obstacle between the action outside and the details examined (while also a compulsory municipal decree is required. music to stop at 11 pm). The building, designed by Jorge Hernández de la Garza, follows the current mania, in local architecture, to disguise heavy concrete with earthy textures intended to cause folk constructions. Here, the breeze walls made of pale clay bricks provide privacy and shade, allowing the air to wipe. Linn with linen, glass candies and large stainless steel sinks by Plantea Estudio based in Madrid add a lighter, contemporary touch, more effectively in eight suites with pools. Visitors and visitors can enjoy the Casual Cafe and Humano Juice Bar in the double lobby, the French fare by the self-taught Chef Marion Chateau served at the Palapa Police Restaurant and the Bar Rooftop Bar Bar Best La Punta’s point to get in the sky at dusk. From $ 190 at night, Hotel-humano.com.
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A colorful collection of fashion carpets
For the last 19 years, fashion designer Victor Glemaud has won a dedicated after his live knitwear. His own wardrobe has an equally impressive range of bright colors and prints. “I have always been dressed the same. It’s just clothes improved as I grew up,” he says. Its purpose is to accompany its approach to interior design, it is also borne by the color dashes in the form of flowers, textiles and art – sometimes created by its nephews and anxiety. Now, Glemaud has channeled his aesthetic signature to his latest home design collaboration: A collection of carpets made by Carpet Company Patterson Flynn. A trip abroad provided the original spark of inspiration for his creations. “The idea started with these gorgeous hand -painted cups I got on the Grand Marché de Treichville market in Abidjan, Coast Ivory,” recalls Glemaud. “On the plane back to Paris, I began to look at pictures I had taken. [in] Reports from trips to Dakar and Copenhagen. “His favorite of the four designs, entitled Biétry, is available in two colorways and materials (Flatweave Wool or Abaca, a fiber from the banana bark) and features a geometric design with a happy flower border. A nod to Glemaud’s fashion background, the full collection has additional unexpected materials such as silk hand, cotton and raffia. Price upon request, pattersonflynn.com.
The number one on the agenda of “Radical Modernist” by artist Dan Friedman in 1994, which he wrote a year before his death from AIDS -related complications, is “alive and working with passion and responsibility. You have a sense of humor And the fantasy. An exhibition at Manhattan’s Superhouse Gallery focused on Friedman’s art furniture. He is the first solo gallery for Friedman’s work since his death in 1995 and includes many pieces of his private collection that have never appeared publicly. Stephen Markos, founder and director of the Superhouse, sees an affinity between Friedman’s practice and his own work to exhibit and promote New York Furniture Manufacturers. “Because Dan was friends with Keith Haring and that team, he was someone who pushed furniture into the slope of fine arts, something I try to do with the gallery,” he says. Friedman’s domestic goods were informed by his work in the graphic design (his clients included Citibank and the city center Couturier Willi Smith), which equally combined simplicity of Swiss style with excessive pop art. In the 1980s, Friedman began to gather trash and manufacture colorful, strangely designed screens, which he used as a canvas and divide the fifth avenue apartment. The first of these screens, which he called “mobile walls”, is on display at Superhouse, along with various objects owned by Friedman, such as a collection of ceramic ducks. A green television television that was shaped after his own artist will make a video tour of his home. “Why shouldn’t I have fun all day? “They will be in view of the New York Superhouse. From February 6 to March 22, superhouse.us.
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A new restaurant on the top floor in the palace of the city of Jaipur
Outdoor Sarvato Bhadra, a kiosk in the heart of Jaipur’s 300-year-old palace in the Indian state of Ratzastan, was historically used as Diwan-I-Khas, where Maharajah would keep private listeners with visitors. On January 23, today’s Maharajah of Jaipur, 26 -year -old Sawai Padmanabh Singh, began inviting visitors back to Aerie of the last roof, now regenerated as the Sarvato restaurant. Singh worked with hotelier Abhishek Honawar based in New York on a tasty menu intended to be “a celebration of Ratzastan’s heritage, the local folklore of the area,” says Honawar. Through the old environment, Sarvato offers a modern withdrawal for food and state design. A fun bouche, for example, comes in an elegant Tiffin Box brass. Inside is a clarified consommé tomato and onion combined with bajra pithod, small pearl discs with mirch malai sandwich, or chilli-build, chutney. Another lesson comes to a friendly sandOr the chest, holding a variety described by Honawar as “Rajastan jewelry”, including udaipur fish bites, bikaner mushrooms and a jaisalmer lamb. There is also a Phulka table that overflows with breads made at regular intervals. The cocktail menu includes a Maharaja Martini signature made with cîroc and dry vermouth perforated with Pickled Mango brine and a pepper hyphen. “The idea was for people to pass through this incredible space,” says Honawar, “surrounded by historical monuments from all sides, sitting under the stars.” Sarvato will be open seasonal, with reservations available until March, then from September to March 2026. thesarvatojaipur.com.
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A collection of Zegna made of delicate Merino wool
Since its founding in 1910, the Italian Zegna fashion house has been known for adapting men with innovative wool produced in the company’s mill in Piedmont, Biella. When it comes to winter staples, such as sweaters and outerwear, the brand has long been the thinnest – and softer – casmil. Now, it releases a collection of pieces in a recently developed wool called Vellus aureum (the term is Latin for golden fleece, In relation to the ancient Greek legend, in which the award -winning wool of a winged tibial memory is finally stolen by Jason and his argonauts). The fabric is made of wool concentrated from Merino sheep in Australia. Representing less than 0.05 percent of world wool production, Vellus Aureum consists of fibers whose diameters count only 12 to 13 micrometers, as opposed to Cashmere, which usually measures 14 to 17. Touch. The pieces that make the fabric debut include a variety of rowing and knitwear, as well as Il Conte (The Count), a stand-collar coat named in honor of the 1930s. Of $ 2,850, zegna.com.
For 15 years, Los Angeles interior designer, Sean Leffers, collects vintage fabrics he faced on his travels. “My favorite tracks are the ones that clearly show creation in hundreds of years, where you can see the genealogy,” he says. But when the restaurants and interiors redesigned, he struggled to supply the vintage textile products of the length and power required – so he started doing it himself. He created his inaugural fabric collections-which include prints made using hand-in-law in Delhi and Silk Ahimsa created in Rajasthan-in collaboration with craftsmen around the world. Inspired by designs from Japan’s EDO period, Leffers’ new between Heaven and Earth Collection features woven controls, Katazome Florals (used using the Japanese membrane paint technique) and patterns of peonies and goldsmiths. A second set of fabrics, in the shadow of Merapi, was named after the mountain that emerges above Java and pays tribute to the history of Indonesian textiles through techniques such as Warp printing and weaving Dobby. “These are the things that feel connected to the human history of our crafts, while at the same time practical,” says Lefers. Available through the exhibition spaces of Kneedler Fauchère in Los Angeles, San Francisco and Denver. from $ 178 per yard, seanlefersestExtiles.com.
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